Mark - Puumerkki, 2017, woodfired ceramics, 40x40x20cm Signet - Sinetti, 2017, woodfired ceramics, 40x40x40cm Signet - Sinetti, 2017, woodfired ceramics, 40x40x40cm Territory - Reviiri, 2017, woodfired ceramics, 80x35x20cm Detail of Territory - Reviiri
Loading the Bourry box train kiln. Some of things were tumble stacked to fit all in. Herb pots - Huoku's first and most popular items so far. Tea box - There was a face on the lid, but fade away under the ash deposit. You can still notice it when squint your eyes. Heat tub is my new sauna product. New sauna pillows where reduced nicely. Sometimes iron lines turns to orange. Shovels as a serving dishes This object reminds me about previous generations, how hard work it was to make living. Small bowls and dishes, always in different colors. This time I made the coffee spoons a little wider. Shrinkage still surprise me. New porcelain slip became so red. The vase was on the back and got good flashing. I always load some things under the firebox. I love the surface of non-melted ash. Some good experiments with porcelain clay. It feels so totally different than iron bearing rough clay I am used to have. Huoku's setting on Cable Factory Grandma's shovel as a serving dish, wood-fired in Bourry box train kiln. Boxes for onion, fired in front of the firebox. Espresso cups glazed with nuka-glaze Ceramic ladles and holder. Measure spoons for coffee. Oven trays Small bowls for green tea. Vases with handles. These are for flowers or kitchen tools. Small bowls Woodfired ceramics Leena Juvonen, Risto Hämäläinen, Riitta Talonpoika and Geoff Crispin (Australia) Tervetuloa Avajaisiin 26.8 klo 17-19 27.8.-19.9.2015 Malmitalon Galleria, Helsingin Taiteilijaseura Ala-Malmin tori, 1 Helsinki Avoinna ma–pe 9–20, la Touched by Flames is a joint project by four ceramic artists who make active use of the wood firing technique in their work. A wood-burning kiln is the common factor uniting the group. Knowledge of the related firing techniques and materials is rare among today's ceramic artists. The exhibition highlights the varieties of wood-fired ceramics, from stoneware patinated by layers of ash to the whiteness of porcelain, and shades of ash melting into glaze, in sculptured forms and utility items. Just Like the Others - Samanlainen kuin muut , 2009, wood-fired porcelain, image printed with iron oxide Three of my first wood-fired objects were sold to the Finnish State Art Collection from Höyry Gallery in Korpilahti. The works were made in 2009, in Guldagergaard - International Research Center in Denmark, where I learned how to fire train kiln. Hidden Wounds - Piilohaavoja , 2009, wood-fired stoneware, image printed with iron oxide Voice Remain - Ääni jää, 2009, wood-fired stoneware, image printed with iron oxide Bourry box, train kiln in Helsinki, Finland Leena Juvonen Exhibition: Terhi Juurinen, Leena Juvonen, Risto Hämäläinen, Riitta Talonpoika
Last firing in 1st December for Christmas Market Herb Pot Garlic Box Round Box Doughbowl Mortar for herbs
Exhibition: Leena Juvonen (FIN) Astrid Heimer (NO) and Malene Pedersen (DK) in Art of Research - conference Leena Juvonen: Mother Dough Movements of Making
The exhibition shows ceramic objects of the artist group Tricycle; Malene Pedersen (DK), Astrid Heimer (NO) and Leena Juvonen (FI). The Hand has been a starting-point for our explorations of forms and concepts to the conference. The hand is part of our body, and from using our hands, we relate to the environment. The poem Human Hands, by Harry Martinson has been an inspiration in developing our common concept for the exhibition, Movements of Making. In the poem, the hand is seen upon as a bridge between nerves and soul, which connect the making to both action and emotion. As ceramists, we all have experienced the movement of kneading clay, a basic rhythm that mentally connects us to the making. Kneading dough is the same movement and it feels similar as wedging clay. Clay and dough are materials we have been working with our hands for thousands of years. To compare clay-making with baking have rooted our concept in daily life. For the exhibition, the baking is conceptualized and explored in different ways to create movements of making into objects which connect us to something very basic as human. The three approaches are: Presence of hands in tools for making Traces of hands in forms, presenting the making Concepts of hands through making and sharing ArtHelsinki 14, Contemporary Art Fair 11. - 14. 9. 2014 , Helsinki Messukeskus, Stand 5k 118/9/2014
Sarjasta: Arkiset Kantamukset / Series: Everyday Commitments Vastapesty - Freshly Cleaned, 2014, woodfired in bourry box train kiln, 30x27x30cm Kokoonparsittu - Mended, woodfired in bourry box train kiln, 2014, 30x27x25cm Kiinnisidottu - Wrapped, woodfired in bourry box train kiln, 2014, 30x22x29cm Yhteenliitetty - Fixed, 2014, woodfired in bourry box train kiln, 30x22x14cm
Unloading the last firing. Box 28x14x14cm, 120,- Box 28x14x14cm, 120,- Box 28x14x14cm, 120,- Dough Bowl, 35x30x10cm, 70.- Small Dishes and Trays, 13x13cm / 20,-, 37x13cm / 45,- Vase, 22x20x11cm, 80,- Herb Pot, 26x12x10cm, 70,-
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AuthorLeena Juvonen: Wood-fired ceramics. Lives and works in in Helsinki, Finland Archives
December 2022
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